التصوير البياني في شعر البرعي اليماني - دراسة بلاغة نقدية

Abstract

The researcher has chosen to study Borai poetry in its aspects of graphic hand imaging hoping that in the study of this area he will find out what distinguishes his form of poetry from other sedate performances, the truthfulness of its artists and their skills of photography, given that the graphic image is the manifestation of our hidden psychological creativity. To reach this objective, the researcher has divided the research into five main chapters; each dealing with certain separate aspects of this research, and under each chapter are subtopics according to the topics’ requirements. In the first chapter, the researcher has discussed the poet’s life, and the concomitant changes and the circumstances of political, social, cultural, religious and their influence in shaping the society, which reflected on his life and thinking and then helped in the formation of his public image after that. In the study of the poet’s biography, the researcher sought the factors that steered the poet’s ideas to the top. The researcher means in this chapter deals with the poet’s life, which it different dimensions, in his community, the researcher, found a kind of excellence in terms of maturity, method or formulations. Some other poet’s have also been discussed, and as models, he chose Borai who has style and had a prominent role in guiding the point of religious poetry, preceded by the reference to the emergence of religious poetry of praise, content and description of its properties. The researcher has also discussed the idea presented by the poet about philosophy and litany in side of God, and then tourism in praise of his beloved patron and the cases have occurred in his life and finally address the elderly and recommends on them. Also discussed in chapter one includes biography of modern poets and a general study of the bureau of poetic style of expression and language in various aspects. In the second, the researcher discussed general construction of Borai poems in familiar terms to its purpose in rhymes and music. Also discussed, is the way Borai approaches his poetry and his handling of vocabulary and the way of his attribution. Finally, the pronunciation and meaning of the images and fantasies to which the poets express their feelings and emotions in creativity is discussed. In the third chapter, the researcher discussed the concepts and the meaning of modern poetry and criticizes it in relation to Borai poetry, which he finds, comes from the heart. He also discusses the overall concept of description of women according to Sufi, its components and composition in general graphic image in poetry as a work of art and its impact in the modern poetry and thoughts and their attributions and feelings. In conclusion, of this chapter, the researcher has analyzed the methods of Borai in his composition and indication of his technical skills and abilities in production and writing, which the researcher believes is one of the most important factors that helped Borai reached the summits of reputation in his poetry. Chapter four, the researcher has also discussed the use of metaphors and its impacts in enriching the linguistics meanings as studied in selected verses of his poems. The second part of chapter four deals with different kinds of metaphor and their definitions and studied each section separately with focus on the main sections as used by Borai as he delivers his ideas. In chapter five, the researcher deals with images as based by Borai and similar relationships, metaphor and its quality. The researcher also introduced the types of metaphor and its definition in written language and its exposure as a means of language. The second section of chapter five The researcher has discussed use of metaphor in expressing the feelings as used by Borai and its different types and divisions. In the last section of this chapter, the researcher discussed metaphor in poetry of Borai, types and component, encompassing sections of metaphors and their impacts on science statements in performance and meaning, which marks the researcher’s end to the discussion of Borai poetry.