Abstract:
The second chapter deals with structures used in poetic rhythm
it explores both of rhythmic appearances the external (weight
and rhyme) and the internal (rhythm Language) represented by
usage of the letters and the words and installations
The third chapter outlines the figurative structures and shows
its semantic tags by clarifying styles analogy symmetry relations
and metaphoric similarity and styles poets used in images based
on association relations that was either of truth (metonymy) or
metaphor origins and so the association relationship built on
illusion (pun
The fourth chapter described the semantic construction
methods by finding levels of verbal significance and levels of
poet s utilization
The fifth chapter was dedicated for phraseology. It first
introduces the cases of enunciative sentence; installed exiled
and compositions like questioning forbidding and wishful
thinking. Then displays the structure for the cases of enunciative
sentence versd for the phenomenon of surrender for delays
deletions and repetition and the objection
The paper was concluded by summary of the key findings
Ibn Hamdis the Sicilian became famous and well known in the
past and present for his tearful poems weeping his homeland
Sicily. On fold of nostalgia for the homeland therefore critics
considered his poet s topics more than their his poetry itself
and so Ibn Hamdis longing to his homeland became a
characteristic of his poetry and a symbol of patriotism and
belonging. His biography won the attention of a group of
researchers even some of his life was extracted his life out from
his Poem
It seemed to me that many aspects of his poetry was still
shrouded in mystery never been explored or incompletely
described; therefore I have taken a stylistic approach to reveal
the mask of this poetry realize poet s styles and approaches
according to methods he used in his poetic harangue and
extrapolate its components and excrete external historical
social or psychological influencing factors
In accordance with the general standard the paper
Consists of five chapters as well as an introduction and a
closure. The introduction defined stylistic approach summarized
its parameters and elucidates the pillars of the method. This was
followed by a brief definition of the most prominent curriculum
and determines the levels of stylistic analysis
The first chapter discussed parts of the poet's life and reviews
his culture and its resources and then it displays critics point of
views in past and present poet finally it concludes with a list of
modern critical studies around him