Please use this identifier to cite or link to this item: http://dspace.iua.edu.sd/handle/123456789/3923
Title: التجديد عند الشُّعراء السُّودانيين بالتطبيق على :الشَّاعر إدريس محَّمد جماع
Authors: أمامة علي أحمد علي
Keywords: الشِّعر العربي والسُّوداني
الشاعر إدريس جمَّاع
Issue Date: 2018
Publisher: جامعة إفريقيا العالمية
Citation: جامعة إفريقيا العالميّة-عمادة الدّراسات العليا-كليـــــة الآداب -قسم اللّغة العربّية
Abstract: The purpose of this research is to identify the contribution of innovation in Arabic poetry and to highlight its role as an artistic picture that reflects the history of this Arab nation and its cultural and psychological conditions. The concept of innovation in Arabic poetry in general and in Sudanese poetry on the face of Khoos is to highlight the efforts of Sudanese poets in Arabic poetry In particular the collection of scientific effects on the fact of the construction of the poem in the modern Arabic Sudanese poetry and symbols of the definition of the poet Idris Jama'a and a statement of influences that contributed to the formation of his character, the identity of the Sudanese poet through the structure of the story of Tia S renewal in the Sudanese poet Idris intercourse as a case study, revealed the nobility and sincere sense of the poet through his poetry and production, which did not knock much historical researcher followed the descriptive approach used sources and references and previous studies as a tool of research and reached the most important results of the following: In the long term, Arabic poetry was known to have a lot of modernity. At the turn of the twentieth century, poets and critics called for the need to renew Arabic poetry to suit the age. The forms of the poem were varied between the rich and the objective, Its forms varied between the shape of the two parts, the sent poetry, the cut system, the hair of the act, and the prose. 2. It is not the innovation of denying the virtue of the Arabs or of deliberately going out on the Arab methods, but it is to deny the illusions of those who hold all the credit in the Arabs, without the nations of the East and the Maghreb, both former and later, or who conclude the methods after the fourth century of emigration. They do not understand that the method is a picture of the same author, and that God did not create the whole nature in one image, so it has one method in the system or the revolution. It is not innovation that half of the inventions are modern because no one of the wise demands us to prove our existence. In this era of this Emirate, because the lesson b Sloop description is not described in the same, and in the spirit of the poet is not the subject of the poem. 3. The modernization of Sudanese literature in general and of Sudanese poetry in particular began in the second quarter of the last century when more and more Sudanese intellectuals adopted the tradition of Sudanese literature and sought a new kind of literature. The researcher also recommends: 1. The need to print and publish Dawwain of Sudanese poetry in general and the re-publication of Dawaween poet Mohiuddin Fares in particular. 2.Study literature and poetry in Sudan, a systematic scientific study to reveal its quality, gracefulness and values and values. 3.3. The need to link the theoretical studies in the field of Sudanese literature with contemporary life so that the new generation of young people will benefit from the experiences of the former and follow suit
URI: http://dspace.iua.edu.sd/handle/123456789/3923
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